: Modern high-res reissues utilize speed-corrected masters, fixing the 1.25% speed error that affected side one of the original 1959 pressings. The Lineup Miles Davis : Trumpet John Coltrane : Tenor Saxophone Cannonball Adderley : Alto Saxophone Bill Evans / Wynton Kelly : Piano Paul Chambers : Bass Jimmy Cobb : Drums Tracklist So What – 9:25 Freddie Freeloader – 9:49 Blue in Green – 5:38 All Blues – 11:36 Flamenco Sketches – 9:26
Experience the iconic album that defined a genre. With the 24-96 FLAC SACD version of "Kind of Blue," you'll discover new depths to the music that has captivated listeners for generations. Miles Davis - Kind Of Blue -1959- FLAC 24-96 SACD
) aims to preserve the album's legendary "invisible geometry" by capturing the nuanced, atmospheric details of the original Columbia 30th Street Studio sessions with modern technical precision. The Genius of the 1959 Sessions The Modal Shift Kind of Blue ) aims to preserve the album's legendary "invisible
Miles Davis's (1959) is universally regarded as the best-selling jazz album of all time and a cornerstone of modal jazz. For audiophiles, the SACD (Super Audio CD) and FLAC 24-bit/96kHz versions represent high-fidelity attempts to capture the "living and breathing" essence of the original March and April 1959 sessions at Columbia's 30th Street Studio. High-Fidelity Audio Formats " "Freddie Freeloader
For audiophiles, the "FLAC 24-96" and "SACD" formats represent the pinnacle of digital fidelity for this recording. These versions aim to capture the subtle nuances of the original three-track master tapes recorded at Columbia’s 30th Street Studio.
The beauty of "Kind of Blue" lies in its simplicity and depth. The album features three tracks: "So What," "Freddie Freeloader," and "Blue in Green." These pieces are built around modal jazz, a departure from the complex chord progressions prevalent in bebop. This approach allowed for a more relaxed, introspective form of jazz, characterized by longer improvisations and a pronounced emphasis on individual expression. The result was a sound that was both accessible and profoundly expressive, appealing to a wide audience while maintaining the sophistication and emotional depth expected of jazz.