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This era produced what critics call "Middle Cinema"—a bridge between art-house realism and commercial entertainment. These films were aggressively about Keralaness . Consider Kodiyettam (1977), directed by Adoor Gopalakrishnan, which explores the emotional and psychological immaturity of a single, unemployed man in a changing village. It is a study of the Malayali psyche—the inertia, the community pressure, the quiet desperation.

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