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The year 2002 was a watershed moment. Two documentaries arrived that changed the rules. The Kid Stays in the Picture , based on producer Robert Evans’ memoir, used a dizzying collage of still photos, voiceover, and archival footage to tell the story of 1970s Hollywood excess. It was stylized, unreliable, and hypnotic—proving that the story behind the movie could be more exciting than the movie itself.

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This phase is more legally complex for entertainment docs than for almost any other genre. The year 2002 was a watershed moment