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On its surface, Singam (Lion) is a masala film. It has a hero who can punch twenty men into the stratosphere, a heroine who exists largely to twirl her dupatta in slow motion, and a villain with a hideous laugh. But to dismiss Singam as merely "commercial cinema" is to miss the tectonic cultural shift it triggered. The 2011 film, directed by Hari, did not just launch a franchise; it resurrected a forgotten archetype: the righteous beast.
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