Immoral Indecent Relations Tatsumi Kumashiro Work Jun 2026

Naoko’s journey is one of a "proper" woman losing her grip on her social standing as she gives in to primal desires.

The phrase is not merely a sensationalist tagline for Kumashiro’s work; it is the central thesis. Unlike conventional pornography, which often frames sex as a transactional performance of pleasure, Kumashiro’s films treat intimacy—particularly the transgressive, shameful, and socially forbidden kind—as the only honest language left to people crushed by modernity. This article explores how Kumashiro weaponized the accusation of "immoral indecency" to expose a far deeper corruption: the moral rot of capitalism, the trauma of war, and the suffocating hypocrisy of the Japanese family unit. immoral indecent relations tatsumi kumashiro work

Perhaps his most unique signature is the "voyeur turned accomplice." In The Bedroom (1977), characters repeatedly watch others having sex through keyholes or cracks in walls. The act of watching is framed as its own indecent relation—a parasitic intimacy that corrupts the observer as much as the observed. Naoko’s journey is one of a "proper" woman

The film examines who holds power in a relationship—often shifting between the male and female leads through sexual expression. 📺 How to Approach the Work The film examines who holds power in a